A digital sculpting interface shows a gray clay-like bust of a lion with a flowing mane centered on a small pedestal. Tool panels line the dark workspace, while soft neutral lighting highlights the sculpture’s carved texture and rounded contours.

04.11.2026

SculptForge 0.9.3: Free Clay, Big Ambitions

SculptForge offers free cross-platform sculpting, Blender and Unreal links, retopology and phone scanning. We haven't tested it. Have you?

3 minute read

Dark PHOTON audio editor interface with a multicolored waveform stretching across the main timeline, flanked by a slim control panel on the right. Thin blue peaks and layered pink, green, and gold bands sit against a black workspace, creating a technical, studio-like look.

iZotope Photon: Fixing Production Audio Without Becoming an Audio Engineer

Twelve locally processed AI models for dialogue repair, speaker separation and the especially useful trick of removing background music from a finished video. Photon for picture editors, not just audio engineers.

03.11.2026

A 3D set-building interface shows a small room with wood flooring, gray walls, and curtained windows, viewed from an angled top-down perspective. Floating panels display a camera preview of a woman’s face, while a selected bounce board and scene controls sit around the workspace in muted grays and greens.

KaveLight: Build Sets, Keep Your Fingers

Plan the set, discuss the frame and sort out the lighting: KaveLight brings Mac-based previs into the conversation before the shoot.

03.11.2026

A 3D modeling workspace shows a glossy magenta aircraft or mech design with angular panels, gold accents, and a glowing orange core. The object fills the center against a dark viewport, while tool panels and settings surround it on the right and along the top.

Ucupaint 3.0: More Paint, Less Panic

Ucupaint 3.0 brings adjustment layers, dedicated displacement channels, unified previews and more flexible texture baking to Blender.

03.11.2026

Two Sony RIALTO 65 cinema camera setups are shown side by side on a neutral gray background. The compact camera bodies are connected by cables to large lenses, with one lens mounted on the left and another camera rig on the right, creating a clean product-display composition.

Sony RIALTO 65: Bigger Sensor, Same VENICE 2

Sony’s RIALTO 65 adds 9.6K 65mm capture to VENICE 2, with dual-base ISO, 16-bit X-OCN and a detachable head. Shipping is planned for 2027.

03.11.2026

A promotional graphic for Blackmagic Design’s DaVinci Resolve 21.1 shows two people in cowboy hats above a video editing timeline, with the large title centered over a dark background. The composition pairs warm, cinematic footage with bold white and orange typography, creating a polished software-advertisement look. — Advertisement

Two professional cameras on tripods frame a snowy mountain landscape on a large studio screen, with rock-like props and snow-covered set pieces in the foreground. Cool blue-white lighting and the clean, open stage create a polished broadcast-production scene.

Nuke Stage 1.2: DMX, LTC and the Mac Wait

Nuke Stage 1.2 adds sACN lighting control, LED output mapping and audio LTC. The promised macOS version is still scheduled for early access in 2027.

A SketchUp 2027 workspace shows a 3D urban street scene with a glass-fronted building, rooftop greenery, and small white human figures on the sidewalk. Toolbars line the top and left edges, while the Shadows panel and other trays sit open on the right, giving the interface a dense, technical layout.

SketchUp 2027: The Small 3D Toolbox for Post

When postproduction needs a building, shot layout or 3D-printed greeblies, SketchUp 2027 offers approachable modeling with smarter procedural tools.

Dark grid-based Houdini canvas with a handwritten white oval circling a checklist that includes points on spiral, golden angle, size and color by point, copy petals to points, and lookdev. A small flower reference and a video thumbnail sit below, while orange notes and arrows mark a 360° golden angle overlay.

Finally, No More Post-its: Procedural Canvas for Houdini

Your Monday coffee comes with welcome desk clearance: Procedural Canvas keeps references, sketches, VEX and notes inside Houdini. Save one Post-it for its name.

Ugly is free. Beauty Costs Extra.

Digital Anarchy’s free Ugly Box puts skin retouching to sinister use. Here’s how it works, where Beauty Box differs and what Flicker Freak adds.

A festive Christmas composition features stacked gift boxes in green and red beneath a floating gold ribbon spiral, surrounded by ornaments, candy shapes, and star accents. Soft studio lighting and a muted olive background create a clean, elegant holiday display.

Christmas Assets: Eight Weeks to Look Festive

63 models, 121 materials and eight weeks to Christmas. Greyscalegorilla supplies the props; your company still needs a plan.

A Houdini 3D animation workspace shows a stylized creature model in the left viewport, lit by warm gold and green tones against a dark background. Panels for the scene hierarchy and parameter controls fill the rest of the interface, creating a dense, technical layout.

DRACARD: The Complete Character pilenine the houdini way.

Twelve DRACARD chapters connect Houdini character creation, clothing and rigging. We explain when that workflow suits the job over pattern-based tailoring.

A fiery plume rises from a narrow base and blooms into a heart-shaped cloud of red, orange, and gray smoke against a black background. The centered composition and stark contrast give the image a dramatic, abstract, ember-lit atmosphere.

Fumaris: Fire for the Festive Blender Brief

Fumaris brings interactive GPU smoke and fire to Blender, with OpenVDB bakes and safer cache handling. Seasonal greetings can get complicated.

A glowing blue circular mask or shield fills the center, wrapped in a dark mesh of fine cross marks and luminous lines. Fiery red and orange energy swirls around the edges, creating a dramatic high-tech contrast against the deep black background.

Continuum 2027: Masks That Do More

Continuum 2027 gives masks a second job, titles fewer detours and particles a better memory. The useful part happens inside the effects.

A low-angle view of modern skyscrapers reaching toward a twilight sky, with the text'vrbn' and the tagline 'We create 3D cities.' prominently displayed in white. The buildings are surrounded by a serene blue atmosphere. — Advertisement

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A dark-themed CineMon 2 editor shows two stacked preview panels of the same foliage scene, with the upper image muted and the lower one vividly color graded. Delicate branches and yellow blossoms fill the frame against a blurred purple background, while a left sidebar and top toolbars frame the workspace in a dense, modern layout.

8 minute read

CineMon 2 – now a Videorecorder and Audiomixer

CineMon 2 adds video recording, audio mixing and dual-input monitoring. Our Mac review explores image quality, timecode and capture limitations.

Dark-themed ohm.rent DEMO booking dashboard showing the Blackmagic Pocket 6K EF selected in a gear list on the left, with its camera image, details, and a color-coded March 2026 calendar on the right. The layout uses compact panels, white text, and orange, red, and green reservation blocks with a sleek, technical look.

9 minute read

ohm.rent: Who Has the camera This Time?

Cameras, kits and calendar collisions: Alexander Vexler discusses ohm.rent, university equipment loans and keeping rental chaos out of the picture.

A dark-themed photo editing interface displays a vivid pink flower in the main preview, with soft green leaves blurred behind it. Color wheels, gradient sliders, and a filmstrip of thumbnail frames line the right side and bottom, suggesting detailed color grading in a compact studio workspace.

7 minute read

BlackRAW – a pocket-sized Studio

BlackRAW Studio brings BRAW and ProRes RAW playback, grading, proxies and NLE hand-off to iPhone and iPad. We test its speed and workflow limits.

Glowing blue dot-matrix text reading “INSTANCER 2D” on a dark black background, with evenly spaced digital pixels forming a clean, futuristic sign. The strong neon-like contrast and minimal composition create a sleek, technical look.

10 minute read

Fridays for Fusion & Instancer2D: Foudini’s Copy to Points

Instancer 2D brings procedural 2D instancing, Fields, atlas textures and GPU performance to Fusion and other OpenFX hosts.

Glowing gold crown with blue gems in a neon data-center backdrop, celebrating 25 years

37 minute read

The Royal Way to Render

In 2001, render farms were local, internet connections still screamed through telephone lines, and launching jobs across several machines could consume an entire evening. Holger Schoenberger founded Binary Alchemy to remove some of that…

digital code background for technology themes | digital production

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All the World’s Codecs out of DaVinci Resolve

InterX brings FFmpeg-backed encoding, compliance checks and deep codec controls straight into DaVinci Resolve’s Deliver page on macOS.

A dark, cinematic split-screen shows a color calibration interface on the left and a mirrored chef at a stove on the right. Neon green, red, and cyan accents contrast with the warm orange glow of cooking flames, creating a sleek, technical visual.

32 minute read

Baselight 8: The feature list is the easy part

FilmLight explains why Baselight 8 adds mastering-focused audio tracks, a new linear-light grain model, Color Crosstalk, Color Correlation and ML-assisted Groups View.

A compact black OBSBOT Meet Flip webcam with a centered lens, glowing green indicator, and small speaker grille, shown front-on against a plain black background. Its matte finish and silver hinge create a sleek, minimal look.

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OBSBOT Meet Flip Review: Finally, a Webcam That Knows How to Shut Up

The OBSBOT Meet Flip is tiny, genuinely portable and physically private. Add very good 4K video and surprisingly mature software, and this may be the travel webcam we have been waiting for.

A man with short hair sits with hands clasped, smiling confidently next to a collage of images showcasing fire, landscapes, spherical objects, textures, and a house model. The background features the text'das element Asset Library Software'. — Advertisement

Two 3D-rendered male characters in long coats stand against a dark studio backdrop, one in muted gray and the other in bright blue and yellow. The scene uses glossy fabric textures, strong neon-like lighting, and side-by-side composition to showcase cloth simulation with a stark technical aesthetic.

TenPix Cloth Brings GPU Simulation to Max

TenPix Cloth adds GPU cloth modifiers to 3ds Max, with triangle collisions, painted controls, deformation preservation and Alembic caching.

LightWrap: A Wrap Without the Precomp

Vankul’s LightWrap blends foreground edges with a live background in After Effects, with directional control, glow and no precomp detour.

A dark node-based compositing workspace in Nuke shows a connected graph of thumbnail nodes labeled StartFlow, LoadMain, Image Det, Create Im, QwenIma, Rescale, Apply Mask, and EndFlow. Thin colored connection lines weave across the black canvas, while small preview panels and grayscale masks are arranged in a wide horizontal flow, giving the interface a technical, streamlined look.

Nuke 18 Beta: More Control, Fewer Detours

Nuke 18 beta connects Griptape workflows, refines splat editing and adds cut detection, clearer errors, HEVC decoding and more useful node inputs.

A glowing spiral of golden, orange, and red light particles swirls against a deep black background, forming a luminous vortex with a bright white center. The sweeping arcs and scattered points of light create a dynamic, abstract particle effect with a vivid, radiant finish.

IlluGen 2.0: More Particles, Fewer Detours

IlluGen 2.0 adds GPU particles, fracture, pivot animation textures and Niagara exports. Here is the technical detail, including the 2.0.1 follow-up.

A Blender workspace displays a warm, collage-style wall mockup crowded with pinned posters, cards, and notes in layered rows. Soft amber lighting washes over the textured board, with trailing plants, small framed pieces, and shelves above and below creating a cozy, curated studio scene.

Print & Pin: Blender Walls With Baggage

G_ni’s Poster Print and Poster Pin age artwork, pack 4K atlases and dress Blender walls with bent paper, pins and a little narrative clutter.

A sweeping aerial view of Sydney Harbor shows the Sydney Harbour Bridge in the foreground and the Opera House near the shoreline, with dense city towers stretching across the background. Deep blue water, green patches of land, and bright daylight create a crisp, expansive urban panorama.

ValTerra Puts Sun, City and Camera in Place

ValTerra brings city context, sun planning and drone-photo camera matching into 3ds Max, with a full trial, free Lite tier and perpetual licences.

A split-image classical marble bust appears half rendered in cyan dithering and half in smooth grayscale, with scattered pixel-like dots fading into a black background. The stark vertical divide and minimalist palette emphasize a digital-decay effect.

DitherFactory: Fewer Colours, More Decisions

DitherFactory brings 27 dithering algorithms, animated screens and retro palettes to After Effects, with CPU rendering and an offline licence.

A film production set with a large LED wall showing a sunlit roadside scene, crew members, cameras, and lighting gear arranged around two cars. The dark studio foreground contrasts with the bright outdoor backdrop, creating a busy behind-the-scenes atmosphere.

HSHL Is Hiring: Pass On Your Production Know-How

HSHL seeks an acting professor for media production. Bring your practical experience into teaching and help shape the next generation. Apply by 30 November.

A dark video-editing workspace shows a title card preview with the words “Documentary Channel” centered inside a glowing purple ring and starry background. Below, a node-based timeline stretches across the screen, with panels, controls, and layered settings surrounding the composition in a dense, technical layout.

Resolve 21.1.2 Speeds Up AI and OGraf

Resolve 21.1.2 accelerates IntelliSearch and OGraf, expands scripting and improves trimming. One compatibility warning deserves attention.

A 3D rendered scene shows a cracked stone figure seated in rubble on the left, facing a green ogre-like character on the right who holds a hammer aloft. The composition is lit in cool violet tones, with scattered debris across the foreground and the title text "Pulldownit 6.6 for Maya" in the upper right.

Pulldownit 6.6: Rubble, With Revisions

Pulldownit 6.6 adds fracture erasing, border chipping and source replacement, plus faster re-shattering and undo for Maya.

A close-up of a gray spherical model with a black knob and crackled surface, shown beside a gray arm in a dark interface. A translucent blue curved stroke arcs across the object, while white tool icons float over the scene, suggesting a 3D painting or editing workflow.

Painter 12.2: Paint the Cage, Fill the Loop

Painter 12.2 adds local cage painting, quad-loop fills and controllable transparency sorting, with important limits for baking and selection.

A dark video-editing workspace shows a centered white slide titled “Colores Corporativos,” with six color swatches laid out in a clean row and descriptive labels beneath each one. Timeline tracks, panels, and toolbars frame the slide on all sides, creating a dense, technical interface with bright cyan, navy, and mint accents.

Sekondo: Creative Work, Minus the Repetition

Sekondo helps with Adobe production, from repetitive edits to translations, layer cleanup and document repair. We examine its tools and limits.

A close-up of a 3D printer with a white print head and black metal gantry above a blue plastic part on the build plate. The clean, high-key lighting and pale background emphasize the machine’s smooth surfaces and industrial precision.

Cinema 4D Prints Without the Desk Spaghetti

Lukas Thorup’s free Cinema 4D plugin animates print layers, infill and a moving printer rig. Our actual printer remains less cooperative.

A dark digital dashboard shows multiple small rows of compact blue and white labels linked by thin lines, arranged in two clustered sections across a charcoal grid background. The sparse layout and muted palette create a technical, data-driven interface connected to the Fridays for Fusion theme.

Save with Fridays for Fusion

One comp, too many eager Savers. Saver Manager, RangeSaver and LifeSaver tackle output selection, frame ranges and EXR admin.

A dark-themed ArcBrush interface shows parameter panels on the left and right, with a central preview grid of textured 3D crates or bins rendered in rows of red, orange, yellow, green, and blue. The layout uses compact controls and a black workspace, giving the screen a technical, material-editing feel.

ArcBrush 1.7: From Batches to Materials

Already useful for DP’s image galleries, ArcBrush adds material sets, 3D previews, Lens Blur and free floating-point editing in version 1.7.

A promotional collage shows a smiling woman with a flower in her hair holding a colorful drink by the beach, layered over dark video-editing interface panels. Color settings, circular color wheels, and a vectorscope fill the foreground, with vivid neon accents against the charcoal UI.

Vegas Pro 2027 Reworks Colour and GPU Delivery

Vegas Pro 2027 adds GPU colour transforms, AI Quick Mask, revised captions, event compositing and 4:2:2 encoding on specified hardware.

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Black graphic with the words “digital anarchy,” “digital” in distressed white letters and “anarchy” in bright red lowercase beneath it. The centered composition uses a stark, minimalist palette that gives the design a bold, edgy look. — DVE AS

SculptForge 0.9.3: Free Clay, Big Ambitions

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