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Five Datacolor Spyder Checkr cards fan out on a white background, including grayscale charts and color reference grids with matte black frames. The compact panels overlap in a neat arc, their vivid swatches and neutral patches creating a clean studio product display.

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A golden-brown croissant with flaky, layered pastry rests on a pale blue plate with a thin gold rim, set on a light marble surface. Softly blurred cups and saucers in the background add a quiet Paris café feel.

KitBash3D Paris: City Break, No Airport

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A dark, cinematic split-screen shows a color calibration interface on the left and a mirrored chef at a stove on the right. Neon green, red, and cyan accents contrast with the warm orange glow of cooking flames, creating a sleek, technical visual.

Baselight 8: The feature list is the easy part

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Free Glass Distortion Node for Blender

A free Blender compositor node creates patterned-glass distortion from grayscale textures, with masking and five supplied patterns.

A dark-themed Media Composer editing workspace fills the screen, layered with media bins, timeline tracks, and multiple floating code or text windows. In the upper right, a preview monitor shows a sepia-toned scene, while dense colored clips and green audio bars spread across the lower timeline, creating a busy, technical interface.

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OBSBOT Meet Flip Review: Finally, a Webcam That Knows How to Shut Up

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ITFS 2027 Opens for Entries

ITFS 2027 opens five film competitions with November and January deadlines, AI-use disclosure and clearly specified delivery files.

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Digital Anarchy for the Adobe UXP Rewrite

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Avid and FilmLight want Baselight colour closer to the Media Composer timeline, with fewer handoffs from dailies through finishing.

Adobe video editing interface showing a prompt field, Kling model selector, 1080p and 16:9 settings, and a first-frame thumbnail. Below, green audio waveforms run across the timeline as a woman in a yellow dress appears in the preview.

Adobe Puts a Prompt Layer Across Pro Video

Premiere gains in-timeline generation while After Effects turns plain English into native project work. Adobe’s bigger shift is the interface itself.

Banner for ICE.ART showing a faceted ice crystal on a dark blue geometric background, with “8 - 10. September 2026” and “www.ice.art” on the left and “The 3D Environment Conference” on the right. Cyan and white lettering creates a cool, digital atmosphere. — Advertisment

A blue geometric event banner for ICE.ART 2026.II, with large cyan lettering and the phrase “Register now!” centered over a dark polygonal background. White text below reads “The 3D Environment Conference,” with a small icy crystal icon at left and the dates “8 - 10. September 2026” and website address beneath. — Advertisment

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Beat 2.0 Links Script Planning to Set

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Photoshop 27.10 Adds Light and Save Controls

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ArmorPaint 1.0 swaps Haxe for C

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