A dark, software-style graphic shows a glowing cyan waveform flowing across the background, layered behind two translucent 3D control panels. On the left is a square grid with draggable corner nodes and colored handles; on the right, a semi-transparent cube with axis markers and floating control points suggests spatial audio editing.

08.10.2026

Samplitude 2026.5 Goes Spatial

Samplitude 2026.5 adds a Spatial Panner, six-band VST3 processing, Stream Deck OSC controls, SoundApp ARA and 32-bit integer export.

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CatPin Cuts Models for a Better Fit

Editable cuts, adjustable connector clearances and batch part export bring Blender sculpts closer to a workable printed assembly.

09.10.2026

ComfyUI’s AI Gets an AI Assistant

Comfy Agent builds and edits node graphs, reuses skills and runs generations on Cloud, with separate controls for editing and execution.

09.10.2026

A dark-themed media library interface shows several video files with thumbnail previews of fire, smoke, and a gas-explosion plume. Rows list filenames, frame counts, tags, and progress details across a wide panel, with a search bar and controls along the top in a compact, technical layout.

Das Element 2.3.2: Cleaner Ingest and Reverse Playback

Das Element 2.3.2 adds reverse playback, MTL support and CPU thread controls, while fixing ingest, RAW proxies and metadata.

09.10.2026

A dark V-Ray Frame Buffer window displays a nearly monochrome render of flowers, with a bright central bloom and soft petal edges against a black background. The image sits inside a 3D rendering workspace, surrounded by toolbars and panels, while a pink, yellow, and blue floral scene is partially visible behind it.

CryptomatteExtractor Batches Masks into PSDs

Batch EXR and Corona CXR delivery brings named masks and render elements into layered documents for Photoshop and Affinity.

08.10.2026

A promotional graphic for Blackmagic Design’s DaVinci Resolve 21.1 shows two people in cowboy hats above a video editing timeline, with the large title centered over a dark background. The composition pairs warm, cinematic footage with bold white and orange typography, creating a polished software-advertisement look. — Advertisement

A desktop CAD-style interface shows a 3D model of a large circular amphitheater, with tiered gray seating around a tan central arena and a white colonnade rising behind it. The scene sits within a layered landscape of green hills, paths, and stone walls, viewed from an elevated angle under soft neutral lighting.

IngeTrazo: A Home for the Render Farm

A free architectural modeller combines SketchUp import, BIM quantities, drawing sheets, Blender rendering and Python extensions.

Blender’s dark-themed interface shows a low-poly orange humanoid model standing in the central 3D viewport on a gray grid floor, with timelines and object lists spread across the bottom and right panels. A colorful pose-picking panel fills the left side, and a webcam overlay in the lower right shows a man in a cap speaking into a microphone.

Vision Canvas: Blender’s UI, On Your Terms

Build a Blender control panel that answers to you: targeted properties, camera widgets, Python buttons, reusable animation and asset favourites.

A dark PFTrack Solo workspace shows a node-based layout on the left and two large viewer panes in the center and right. The central viewer displays a sunlit stone monument against a bright blue sky, while the right viewer shows a dense 3D reconstruction of the same structure, with panels and controls lining the bottom in a technical, modular interface.

PFTrack Solo: One Artist, All the Nodes

PFTrack Solo adds 37 previously restricted nodes, opening photogrammetry, stereo and depth workflows to individual artists.

A luminous white particle ring forms an irregular circular loop against a deep black background, with dense speckled points and wispy edges suggesting motion. The composition is centered and minimal, creating a stark, abstract digital effect.

Caddis Adds Particles, Loops and Animated Layouts

Caddis 1.1.0 adds particle simulation, graph loops, animated grids and Cryptomatte, with practical controls for procedural motion work.

DaVinci Resolve editing interface showing a video timeline with multiple color-coded clips, transport controls, and inspector panels. In the preview, a woman in a red off-the-shoulder dress stands outdoors against a blue sky, while a bright red fabric fills the left side of the frame.

DaVinci Resolve 21.1.1 Adds Async APIs

Audio-only trimming, audible mouse trims and asynchronous scripting expand Resolve’s toolkit, with new CR3 and Windows 11 USAC decoding.

Unreal Engine editor showing a gray tiled 3D scene with an editable white pipe network laid across the floor and up the back wall. The interface surrounds the viewport with dark tool panels, asset thumbnails, and property controls, while red markers and small labels highlight connection points in the pipeline layout.

Pipe It Draws Editable Networks in Unreal

Pipe It builds editable pipe networks in Unreal Engine, with custom kits, runtime Blueprint editing and bake outputs that need a dependency check.

A dark navy software interface titled AP SyncKey Reducer compares two dense key-mapping panels side by side, labeled Before and After. The left panel shows scattered keys across curves, while the right panel stacks keys in vertical columns, with gold callout lines and small explanatory captions reinforcing the layout shift.

SyncKey Reducer Keeps Poses Together

Amir Porat’s reducer aligns surviving pose frames in Max and Maya, with error controls, rig exclusions and a few cleanup buttons worth reading twice.

A speaker stands on a dark stage beside a podium and laptop, facing a large projected screen that reads “SAY HELLO” with a person’s image. Purple spotlights wash the room, while seated audience members and raised hands fill the foreground.

Starting Pixel Live Reveals Its 2026 Line-up

Starting Pixel Live reveals its 14 October line-up: Vigil III, Netflix’s Berlin, live VFX plates, MetaHumans and AI workflows.

A low-angle view of modern skyscrapers reaching toward a twilight sky, with the text'vrbn' and the tagline 'We create 3D cities.' prominently displayed in white. The buildings are surrounded by a serene blue atmosphere. — Advertisement

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Fridays for Fusion & Instancer2D: Foudini’s Copy to Points

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All the World’s Codecs out of DaVinci Resolve

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A dark, cinematic split-screen shows a color calibration interface on the left and a mirrored chef at a stove on the right. Neon green, red, and cyan accents contrast with the warm orange glow of cooking flames, creating a sleek, technical visual.

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Baselight 8: The feature list is the easy part

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A compact black OBSBOT Meet Flip webcam with a centered lens, glowing green indicator, and small speaker grille, shown front-on against a plain black background. Its matte finish and silver hinge create a sleek, minimal look.

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An editing interface displaying audio and video timelines with color-coded clips. Notes and tasks are visible alongside timestamps, organized within a dark-themed layout. The sleek design emphasizes functionality, showing a detailed workflow for wedding highlight editing.

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Digital Anarchy for the Adobe UXP Rewrite

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Why Tape Is Suddenly Cool Again: An Interview with Quantum CEO Hugues Meyrath

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An EIZO ColorEdge monitor sits centered in a dark, black-backed composition, displaying a recursive screen-within-screen image of red-and-blue abstract light trails. Around it, luminous ribbon-like shapes and smoky blue wisps repeat across the frame, creating a dramatic, high-contrast showcase of color calibration and display performance.

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ColorEdge CS3200X review: The EIZO feeling without the colourist tax?

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A man with short hair sits with hands clasped, smiling confidently next to a collage of images showcasing fire, landscapes, spherical objects, textures, and a house model. The background features the text'das element Asset Library Software'. — Advertisement

A dark-themed Alpaca interface shows an automatic normal-map preview of a sharp, angular 3D mesh centered on a black canvas. The gray model has layered ridges and hornlike spikes, while control panels and settings line the right side of the workspace.

Alpaca3D: Retopo With a Reality Check

Live bake feedback, UV constraints and editable projection cages: Alpaca3D connects low-poly construction to texture-map output.

A dark design workspace shows a selected landscape-rendered frame preview beside a 3D preview panel and technical floor plan drawings. The central image features a minimalist black cabin glowing warmly beside still water, with its reflection and misty mountains in a cool blue-gray scene.

FrameRef 1.1 opens portals across your reference mess

FrameRef 1.1 tackles large reference collections with portals, voice memos, mind-map edges, labels, AI tagging, image tools and improved video navigation.

A film crew works inside a dim studio filled with cameras, tripods, lighting rigs, and monitors. People stand across the foreground and middle ground around a small stage area, with warm light spilling from the set and cool shadows shaping the black ceiling and walls.

HSHL Is Hiring: Research Associate for Virtual Production

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A dark studio interior with a large mirrored recording booth centered in the room, surrounded by tripods, cables, and monitors. Cool reflections in the glass, black equipment silhouettes, and faint green and purple screen light create a technical, low-lit atmosphere.

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A dark-themed Higx Optics v1.6 interface shows a ray-tracing diagram for a double-Gauss 50mm f/2 lens, with curved blue lens elements, green light rays, and a white focal target on black. Below, optical settings sliders and numeric fields sit in a compact control panel, giving the screen a technical, precision-focused look.

Higx Optics ray-traces the glass instead of faking the bokeh

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A dark video-editing interface shows a central preview of a person in a white helmet and red racing suit standing on a paved overlook beside tall pine trees, with a broad valley and blue sky in the background. The right panel displays color-correction settings and sliders, while the bottom timeline and playback controls frame the scene in a sleek, low-light workspace.

Colorboy: One More Node for Resolve?

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A retro-futuristic desktop computer glows in warm orange and purple light, with a rounded transparent case, twin dark monitor panels, and a compact keyboard in front. Small tech components, a mouse, and a cup-like accessory sit around it on a clean desk, creating a futuristic workstation scene.

Cinema 4D 2026.4 gets a built-in MCP server

Cinema 4D 2026.4 adds a built-in MCP server, allowing AI assistants to operate native Cinema 4D tools while keeping scene data editable.

Dark-themed Workflows Slate editor showing a central video preview of a hot-air balloon over a desert mountain landscape, with burn-in labels along the top and bottom. Side panels display metadata fields on the left and text styling controls on the right, all arranged in a clean, technical interface.

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A dark-themed MechaPaint 2.0 interface shows a vivid 3D terrain model on a black canvas, with neon pink, cyan, green, and yellow paint flowing across rocky ridges and a winding valley. Toolbars frame the scene on the left, top, and right, giving the workspace a polished, technical feel.

MechaPaint 2.0 Paints Pixels and Plastic

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A 3D render shows a white circular band embossed with “colormass” at the center of a transparent sphere filled with floating brown, leaflike fragments. The composition sits on a smooth gray background, with scattered pieces below and a small pencil at the lower right, creating a clean studio-style product showcase.

Colormass Scans 177 Reasons to Check Your Shader

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A dark-themed 3D modeling interface shows a topology settings panel with Quad New selected, polycount sliders, and a Generate button highlighted in yellow. On the right, a dense wireframe mesh of a small robot-like character is displayed against a dark canvas, with tool icons and stats along the edges.

Tripo P2.0: Put Quad Mesh Generation to the Test

Tripo P2.0 adds quad output, adjustable mesh budgets and local regeneration. A practical starting point for testing image-to-3D assets in your own pipeline.

A dark Blender workspace shows a black silhouette of a curly-haired head centered in the viewport, with an orange bone chain overlay tracing one side of the hair. Tool panels frame the scene on the left and right, and the muted gray interface creates a technical, work-in-progress look.

Hair Bone Generator Maps Blender Strands

Hair Bone Generator maps stylised Blender hair into connected deform-bone chains, with three guide methods and controls for spacing and root placement.