A film crew works inside a dim studio filled with cameras, tripods, lighting rigs, and monitors. People stand across the foreground and middle ground around a small stage area, with warm light spilling from the set and cool shadows shaping the black ceiling and walls.

02.10.2026

HSHL Is Hiring: Research Associate for Virtual Production

Your Unreal Engine and C++ skills could help shape the future of filmmaking. Join HSHL’s ProSys OSVP team and build tools for virtual production.

4 minute read

A dark studio interior with a large mirrored recording booth centered in the room, surrounded by tripods, cables, and monitors. Cool reflections in the glass, black equipment silhouettes, and faint green and purple screen light create a technical, low-lit atmosphere.

HSHL Is Hiring: Research Associate for Digital Locations

Join HSHL’s DigiLoc premier academic team and bring your Unreal Engine and 3D environment skills to applied research. You'll havea giant stage to work with! Apply by 20 October 2026.

02.10.2026

A dark-themed Higx Optics v1.6 interface shows a ray-tracing diagram for a double-Gauss 50mm f/2 lens, with curved blue lens elements, green light rays, and a white focal target on black. Below, optical settings sliders and numeric fields sit in a compact control panel, giving the screen a technical, precision-focused look.

Higx Optics ray-traces the glass instead of faking the bokeh

Higx Optics uses ray-traced virtual lenses for bokeh and optical effects across Nuke, After Effects and Resolve Studio. We compare the approach with ZEISS LensCore.

02.10.2026

Glowing blue dot-matrix text reading “INSTANCER 2D” on a dark black background, with evenly spaced digital pixels forming a clean, futuristic sign. The strong neon-like contrast and minimal composition create a sleek, technical look.

Fridays for Fusion & Instancer2D: Foudini’s Copy to Points

Instancer 2D brings procedural 2D instancing, Fields, atlas textures and GPU performance to Fusion and other OpenFX hosts.

02.10.2026

A dark video-editing interface shows a central preview of a person in a white helmet and red racing suit standing on a paved overlook beside tall pine trees, with a broad valley and blue sky in the background. The right panel displays color-correction settings and sliders, while the bottom timeline and playback controls frame the scene in a sleek, low-light workspace.

Colorboy: One More Node for Resolve?

Colorboy gathers camera transforms, grading and film effects in one Resolve OFX. What happens inside it, and do you need it?

01.10.2026

A promotional graphic for Blackmagic Design’s DaVinci Resolve 21.1 shows two people in cowboy hats above a video editing timeline, with the large title centered over a dark background. The composition pairs warm, cinematic footage with bold white and orange typography, creating a polished software-advertisement look. — Advertisement

A retro-futuristic desktop computer glows in warm orange and purple light, with a rounded transparent case, twin dark monitor panels, and a compact keyboard in front. Small tech components, a mouse, and a cup-like accessory sit around it on a clean desk, creating a futuristic workstation scene.

Cinema 4D 2026.4 gets a built-in MCP server

Cinema 4D 2026.4 adds a built-in MCP server, allowing AI assistants to operate native Cinema 4D tools while keeping scene data editable.

Dark-themed Workflows Slate editor showing a central video preview of a hot-air balloon over a desert mountain landscape, with burn-in labels along the top and bottom. Side panels display metadata fields on the left and text styling controls on the right, all arranged in a clean, technical interface.

SGO Workflows Slate automates burn-ins

Browser-based Workflows Slate turns pipeline metadata into reusable burn-ins and slates for dailies, VFX pulls and delivery.

A dark-themed MechaPaint 2.0 interface shows a vivid 3D terrain model on a black canvas, with neon pink, cyan, green, and yellow paint flowing across rocky ridges and a winding valley. Toolbars frame the scene on the left, top, and right, giving the workspace a polished, technical feel.

MechaPaint 2.0 Paints Pixels and Plastic

MechaPaint 2.0 combines PBR painting, physical-paint matching, image-derived geometry, local AI and engine-ready delivery in one 3D workflow.

A 3D render shows a white circular band embossed with “colormass” at the center of a transparent sphere filled with floating brown, leaflike fragments. The composition sits on a smooth gray background, with scattered pieces below and a small pencil at the lower right, creating a clean studio-style product showcase.

Colormass Scans 177 Reasons to Check Your Shader

Colormass offers free scanned materials for look development. The maps deserve a close look, and the licence deserves an even closer one.

A dark-themed 3D modeling interface shows a topology settings panel with Quad New selected, polycount sliders, and a Generate button highlighted in yellow. On the right, a dense wireframe mesh of a small robot-like character is displayed against a dark canvas, with tool icons and stats along the edges.

Tripo P2.0: Put Quad Mesh Generation to the Test

Tripo P2.0 adds quad output, adjustable mesh budgets and local regeneration. A practical starting point for testing image-to-3D assets in your own pipeline.

A dark Blender workspace shows a black silhouette of a curly-haired head centered in the viewport, with an orange bone chain overlay tracing one side of the hair. Tool panels frame the scene on the left and right, and the muted gray interface creates a technical, work-in-progress look.

Hair Bone Generator Maps Blender Strands

Hair Bone Generator maps stylised Blender hair into connected deform-bone chains, with three guide methods and controls for spacing and root placement.

A split-screen graphic pairs a dark node-based RailClone graph and colorful MaxScript code on the left with a sunlit modern building facade on the right. Curved connection lines, dense editor text, glass storefronts, and a patterned metal screen create a technical, architectural composition with cool dark tones contrasted by warm daylight.

RailClone Opens Its Graphs to MaxScript

RailClone exposes its style graphs as XML, opening them to MaxScript automation, pipeline tools and, inevitably, LLM experiments.

A smartphone displays the Blackmagic Camera app filming a snowboarder carving through fresh powder against bright blue sky and jagged white peaks. The interface overlays camera settings, a red record button, and exposure controls on a sleek black screen.

Blackmagic Camera 3.5 Opens the Iris

Blackmagic Camera 3.5 gets inside iPhone 18 Pro hardware with variable-aperture control, Pro Video Storage and Cinematic recording.

A low-angle view of modern skyscrapers reaching toward a twilight sky, with the text'vrbn' and the tagline 'We create 3D cities.' prominently displayed in white. The buildings are surrounded by a serene blue atmosphere. — Advertisement

Recent Articles for Subscribers

Glowing gold crown with blue gems in a neon data-center backdrop, celebrating 25 years

37 minute read

The Royal Way to Render

In 2001, render farms were local, internet connections still screamed through telephone lines, and launching jobs across several machines could consume an entire evening. Holger Schoenberger founded Binary Alchemy to remove some of that…

digital code background for technology themes | digital production

7 minute read

All the World’s Codecs out of DaVinci Resolve

InterX brings FFmpeg-backed encoding, compliance checks and deep codec controls straight into DaVinci Resolve’s Deliver page on macOS.

A dark, cinematic split-screen shows a color calibration interface on the left and a mirrored chef at a stove on the right. Neon green, red, and cyan accents contrast with the warm orange glow of cooking flames, creating a sleek, technical visual.

32 minute read

Baselight 8: The feature list is the easy part

FilmLight explains why Baselight 8 adds mastering-focused audio tracks, a new linear-light grain model, Color Crosstalk, Color Correlation and ML-assisted Groups View.

A compact black OBSBOT Meet Flip webcam with a centered lens, glowing green indicator, and small speaker grille, shown front-on against a plain black background. Its matte finish and silver hinge create a sleek, minimal look.

8 minute read

OBSBOT Meet Flip Review: Finally, a Webcam That Knows How to Shut Up

The OBSBOT Meet Flip is tiny, genuinely portable and physically private. Add very good 4K video and surprisingly mature software, and this may be the travel webcam we have been waiting for.

An editing interface displaying audio and video timelines with color-coded clips. Notes and tasks are visible alongside timestamps, organized within a dark-themed layout. The sleek design emphasizes functionality, showing a detailed workflow for wedding highlight editing.

6 minute read

Digital Anarchy for the Adobe UXP Rewrite

CEP panels still run, but their comfortable retirement is approaching. Jim Tierney explains what UXP migration really costs.

11 minute read

Why Tape Is Suddenly Cool Again: An Interview with Quantum CEO Hugues Meyrath

Tape is back. Apparently it just needed AI, an energy crisis and a few hundred petabytes to become fashionable again. Quantum CEO Hugues Meyrath explains why.

An EIZO ColorEdge monitor sits centered in a dark, black-backed composition, displaying a recursive screen-within-screen image of red-and-blue abstract light trails. Around it, luminous ribbon-like shapes and smoky blue wisps repeat across the frame, creating a dramatic, high-contrast showcase of color calibration and display performance.

11 minute read

ColorEdge CS3200X review: The EIZO feeling without the colourist tax?

Two weeks with EIZO's new 31.5-inch CS3200X reveal a colour-accurate 4K production monitor that retains much of the CG experience at roughly a thrid of the price. How?

14 minute read

Automation Agent for Premiere: Why I Built an AI Workflow Layer Around the Timeline

I built Automation Agent to give AI real Premiere context, scoped permissions and reusable workflows without handing it the creative edit.

A man with short hair sits with hands clasped, smiling confidently next to a collage of images showcasing fire, landscapes, spherical objects, textures, and a house model. The background features the text'das element Asset Library Software'. — Advertisement

A close-up of a smiling woman fills the center of a dark photo-editing interface, with her face split diagonally between a softly lit blue background and a black digital mask area. Tool panels and sliders line the left side, while the cropped portrait stands out against the muted workspace.

Beauty Box 6.5 Finds Teeth So You Don’t Have To

Beauty Box 6.5 adds AI masks for teeth and eye whites, a new local inference engine and improved face tracking across major finishing hosts.

SoftRAID app window in a dark theme showing a selected RAID 6 volume (D:) with 14.55 TB, NTFS, and 64 KB stripe units for workstation use. A right-side details panel lists four Toshiba member disks, with action buttons for Enable Safeguard, Validate, and Delete below.

SoftRAID 9 Adds RAID 6, Minus the RAID Card

SoftRAID 9 adds RAID 6 and RAID 6+ for directly attached storage, including third-party hardware, with one substantial macOS condition.

A speaker stands on a dark stage beside a podium and laptop, facing a large projected screen that reads “SAY HELLO” with a person’s image. Purple spotlights wash the room, while seated audience members and raised hands fill the foreground.

Starting Pixel Live Puts Humans Back in AI

Starting Pixel Live 2026 brings AI into virtual production, while keeping humans nearby for lighting, judgement and suspicious outputs.

Dark presentation slide with the headline “In place, not bolted on” and four orange bullet points about plugins, tabs, and restoring panels. On the right, two Blender interface screenshots are stacked vertically, showing dark gray tool panels and menus against a black background with a thin footer caption.

Plugin Hub Tames Blender’s Tab Jungle

Plugin Hub herds Blender’s proliferating add-on panels into one tidy tab, with optional menu and floating-window access.

Adobe and Topaz Labs logos on a blue and purple background

Adobe finishes buying Topaz Labs

Adobe has finished buying Topaz Labs. The apps stay standalone, while the AI heads deeper into Creative Cloud. Nobody panic. Yet.

A KeyFlow animation interface shows a stylized dog rendered in a 3D viewport, surrounded by colorful rigging curves and control handles over a gray grid floor. Below, a timeline filled with keyframes stretches across the screen, while a right-side panel lists animation controls and blend settings in a dark, compact layout.

KeyFlow Turns Maya Repetitions Into Buttons

Fenix Animator’s KeyFlow puts Maya animation chores into a customizable toolbar, from timing and mirroring to temporary rig controls.

A half-human, half-3D-rendered female portrait with one detailed eye, smooth gray wireframe skin, and a large paper-like flower behind her ear. The composition centers her against a soft gray architectural background, creating a sleek CGI look tied to Blender and AI generation.

Higgsfield Brings AI Generation Into Blender. Oh, goodey.

Higgsfield’s Blender add-on generates editable scenes, meshes, rigs and media from the viewport, with cloud inference and credit billing.

A dark Stream Deck interface with eight square control buttons, including Pause, Mark In, Mark Out, Select, Stop, and Ready, arranged above a horizontal timeline display. The matte black layout uses purple, gold, and white accents, with four round dials set into a recessed lower panel, creating a compact editing dashboard.

DeckBridge Gives Resolve a Smarter Stream Deck

DeckBridge turns Stream Deck into a Resolve-aware controller with live keymaps, page switching, Fairlight feedback and ten dedicated actions.

AJA FS8 rackmount video interface centered on a stone surface, with a small front display, control buttons, and ventilation grille in the foreground. Above it, a monitoring screen shows a soccer broadcast and signal status panels, set against a dark background with a sleek, technical feel.

AJA FS8 Bridges SDI and ST 2110

AJA squeezes SDI/IP conversion, sync, HDR, audio routing and ST 2110 into 1RU, giving post facilities a practical route from baseband to IP.

Blender shader nodes for an Attribute feeding a Diffuse BSDF into Material Output sit above a 3D viewport showing a noisy Gaussian splat scene: a small table with clustered objects and a tall central form, lit against a dark background.

Blender 5.3 Brings Gaussian Splats Home

Blender 5.3 brings Gaussian Splats into the core app, with native import, Geometry Nodes access and rendering across Workbench, EEVEE and Cycles.

A browser-based COLMAP point-cloud view shows a dense golden 3D reconstruction centered on a pale canvas, surrounded by blue camera frustums and sparse floating points. A small control panel in the upper left labels Camera 1 and displays OpenCV calibration values, giving the interface a technical, workspace feel.

COLMAP Moves Into the Browser

Rafael Spring ports COLMAP’s sparse reconstruction workflow into a local browser app, with WebGPU acceleration and standard COLMAP output.

A Blender character rig fills the screen with colorful facial control curves over a stylized head, while an Animo Sliders panel on the right shows checked options like Tween, Blend to Neighbors, and Scale Left. Below, a dark graph editor and timeline create a technical interface layered over the model, with muted gray, blue, and red accents.

Animo Sliders Bring Maya Controls to Blender

Ehsan Bayat brings 16 Animo animation sliders to Blender for faster pose, timing and keyframe adjustments.

A 3D web editor scene shows a park-like landscape with dense trees, a white bicycle beside a bench, and a small flower arrangement on a draped table in the foreground. Dark UI panels frame the view, with a banner reading “Rebuilt on WebGPU” in the lower left.

SuperSplat 3 Moves Editing to WebGPU

SuperSplat 3 rebuilds its Gaussian-splat editor on WebGPU, shrinking browser memory use and moving sorting, selection and more onto the GPU.

A dark-themed Fusion workspace shows a composition preview on the left with the word “PROPAGATE” in a pink-to-purple gradient over a deep navy background, plus two small icon graphics below. On the right, a node-based flowchart of connected boxes and lines fills the editor, with tool panels framing the screen.

Fridays for Fusion: PROPAGATE, Finally

PROPAGATE copies changed parameters, connections, expressions and animation across Fusion nodes. An obvious idea, now available in software.

Two crystal clusters float on a black background, one with amber and purple points and the other mostly clear and white. Their jagged mineral textures and isolated placement create a stark, gallery-like composition with dramatic contrast.

Pixel Lab Sells Gems Cheaper Than GPUs

Pixel Lab packs 30 gemstones and 40+ ancient tree stumps into PLY Gaussian splats. The gems are cheap. Your workstation probably isn't.

A Maya 3D viewport shows a small, fluffy bird model with orange-brown feathers and a blue beak standing on a white grid floor. The bird is centered on a light gray canvas, surrounded by dark tool panels, sliders, and menus that frame the modeling workspace.

Flair Heads for Unreal, Maya 2027 Ready

Flair is closing in on its Unreal Engine debut while the Maya renderer adds Maya 2027 support and clears out several workflow gremlins.

Find your topics

Explore stories by department, topic or the tools you use.

Camera Editing Audio Motion Graphics VFX Compositing Color Grading Finishing

Explore all topics & software →

Let’s connect on ….

Partners

Black graphic with the words “digital anarchy,” “digital” in distressed white letters and “anarchy” in bright red lowercase beneath it. The centered composition uses a stark, minimalist palette that gives the design a bold, edgy look. — Blackmagic Design

HSHL Is Hiring: Research Associate for Virtual Production

Recent Articles for Subscribers

Find your topics

Newsletter

Let’s connect on ….

Partners