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OBSBOT Meet Flip Review: Finally, a Webcam That Knows How to Shut Up

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ITFS 2027 Opens for Entries

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Digital Anarchy for the Adobe UXP Rewrite

CEP panels still run, but their comfortable retirement is approaching. Jim Tierney explains what UXP migration really costs.

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Avid and FilmLight connect editorial colour

Avid and FilmLight want Baselight colour closer to the Media Composer timeline, with fewer handoffs from dailies through finishing.

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Why Tape Is Suddenly Cool Again: An Interview with Quantum CEO Hugues Meyrath

Tape is back. Apparently it just needed AI, an energy crisis and a few hundred petabytes to become fashionable again. Quantum CEO Hugues Meyrath explains why.

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A vibrant promotional banner for Fusion Studio 21, featuring bold, three-dimensional lettering of'FUSION' glowing against a dramatic cosmic background of fiery orange and deep red hues. To the left, text highlights new features like Lottie animations and updated tools, appealing with vivid, engaging design elements that suggest innovation and creativity. — Advertisement

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Adobe video editing interface showing a prompt field, Kling model selector, 1080p and 16:9 settings, and a first-frame thumbnail. Below, green audio waveforms run across the timeline as a woman in a yellow dress appears in the preview.

Adobe Puts a Prompt Layer Across Pro Video

Premiere gains in-timeline generation while After Effects turns plain English into native project work. Adobe’s bigger shift is the interface itself.

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Resolve 21.1 Adds MCP and Finally Gets Presets

Resolve 21.1 brings MCP, overdue Inspector presets, deeper Fusion tools and a Python move that turns Studio into an automation heavyweight.

Audacity’s dark-themed multitrack audio editor shows several labeled waveform clips arranged on a timeline, with track controls at left and transport tools across the top. Blue, purple, and pink audio regions sit in stacked lanes against a charcoal grid, creating a clean, technical workspace for editing podcasts or music.

Audacity 4 Rebuilds the Fast Audio Editor

Audacity 4 replaces old tool modes with contextual editing, clip grouping, ripple commands and a Qt UI while keeping its free desktop role.

A 3D render of intersecting metal forms shows a polished silver sphere, a boxy block, and a curved cylindrical panel joined by visible weld seams. Against a dark background, cool gray highlights emphasize the glossy surfaces and industrial edge-decal design.

Edge Decal Generator generates edgy Edge Decals

Gilad Baruch’s Blender add-on creates editable mesh decals for wear, welds and seams, with layers, masks, FBX export and an Unreal workflow.

A 4-by-4 grid of lens flare variations on dark backgrounds, each tile showing a bright starburst or glowing orb with streaks, halos, and colored reflections. The palette shifts from cool blue and white to warm gold, pink, and green, creating a sleek, technical reference sheet.

Fridays for Fusion: Lens flares, node by node

LFTools turns Fusion lens flares into modular node graphs, with procedural irises, bitmap elements, global controls and a $10 preset pack.

A teal and blue promotional banner for ICE.ART 2026.II, with angular polygonal facets and a small icy 3D iceberg icon in the lower left. Centered text reads “ICE.ART 2026.II,” “8 - 10. September 2026,” “www.ice.art,” “Register now!,” and “The 3D Environment Conference.”

ICE.ART 2026.II agenda is set

ICE.ART 2026.II has its final agenda: three online evenings covering animation, virtual production, architecture, materials and realtime worlds.

A dark 3D render of a stone-like human face emerges from blackness, with white retopology mesh lines covering the left side. The close-up portrait is centered and lit dramatically, emphasizing sculpted contours and a technical modeling workflow.

retoPoly puts manual retopology in 3ds Max

Mihail Lupu’s retoPoly adds projected drawing, flow tools and stack-editable artist-directed retopology to 3ds Max 2023–2027.

A 3D-rendered, cracked cardboard surface is sliced by several vertical glowing light bars, creating an edgy mesh-damage effect. Dark brown blocks and a muted gray background frame the diagonal composition, while warm orange highlights and deep shadows give the scene a moody, cinematic feel.

EDGY Cuts Mesh Damage in C4D and Blender

EDGY cuts chips, cracks, craters and breaks into closed Cinema 4D and Blender meshes while leaving the original object untouched.

Banner for ICE.ART showing a faceted ice crystal on a dark blue geometric background, with “8 - 10. September 2026” and “www.ice.art” on the left and “The 3D Environment Conference” on the right. Cyan and white lettering creates a cool, digital atmosphere. — Advertisment

A blue geometric event banner for ICE.ART 2026.II, with large cyan lettering and the phrase “Register now!” centered over a dark polygonal background. White text below reads “The 3D Environment Conference,” with a small icy crystal icon at left and the dates “8 - 10. September 2026” and website address beneath. — Advertisment

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A dense collage of broadcast graphics and conference screenshots showcases the MXL theme, with logos such as Appear, Techex, Riedel, TAG, Nevision, and Ross arranged in a grid of panels. Bright studio shots, color bars, and control-room interface visuals mix with dark backgrounds, neon accents, and layered video thumbnails, creating a busy, technical media-exchange montage.

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OBSBOT Meet Flip Review: Finally, a Webcam That Knows How to Shut Up

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